poetry diary

Gently persuasive buds of dreams once grew here,
in fragile beauty convincing realities to merge.
Parallels in lamplight, tingeing ancient stone;
or some timeless concept, that in its simple bowl
retained the almost wholeness of some unspoken goal.

We know now –
existence is but a line in the poetry of the world,
and solitude is a journey: a road between our meetings.
Buds flower (the lucky ones) harden and fade to wood.

Splinters of reality;
cracked, now,
or perhaps recombined with gaps.

Once hammered by minds
against the
anvil of necessity
with such noise.

It’s quieter now:
more considered.
And new buds grow on our branches.

These are reworked excerpts and lines from poems written as a student many years ago, refound and recombined in honour of a college reunion yesterday and stimulated by this week’s prompt from Poetry Tow Truck, with thanks to Margo Roby for pointing it out on her wordgathering site.

I will let the door open;
light fall on your hair.
I will draw back the curtains,
And let passing birds stare.

This prison is closed now;
The watch towers unmanned.
The garden is open,
Will you take my hand?

It’s spring in the country,
Still chill in the dawn.
You’ll miss the warm fireside
But no time to mourn.

Dissolve in the forest,
And drink in the sky.
For too long now grounded,
We’ll see who can fly.

A response to this week’s wewritepoems (picture) prompt Street Art Poem.

She’s only a girl, in the third violins;
maybe thirteen, with a face that’s glowing.
She’s moving her bow with the rest of the strings,
but her eyes are alive and her spirit’s rising.

The music climbs and descends,
gathering her and us all in its insistent hands,
and the girl becomes one with its flow.
Now she’s sixteen, now sixty:
the pain and the loss.
Time moves so fast,
and then slow – she knows love and joy –
and it’s gone.
I cry for her,
and for me,
as the sound fades from our reach.

And then?

And then the oboe’s whisper:

I am you, you are me,
please don’t ever stop.

We are one, hear us sigh;
How far can we go?

I am you, whisper low;
Feel my music flow.

Join in now with me.

Now I’m old, now I’m young,
Now we all are one.

Quieter now, please don’t go;
Please, oh, please don’t go.

I want you, you want me,
Please, oh please don’t go.

Please don’t go.

Don’t go.

…oh no.

But the hall waits,
and now you are reborn with trumpets and drums:
raise your chin.
The new world is here, and is here, and here again.

And she, and you, are there.

I am you and you are me,
please don’t ever go.

And now is the time to be thirteen and ageless once more,
And lost in the power and the might of the roar,
And let it unfold and drive forward that bow,
And be with the beat and be the beat too,
And all is to play for and all is to love,
And all are as one with the music and you,
And the audience have gone and are birds in the blue,
And my mother is with me and I am alone,
And now I am flying and part of the flock,
And now we are wheeling and facing a shock,
And now I’m my mum and I’ve fallen in love,
And now he’s gone off and I don’t understand,
And now the drums save me and now we soothe them,
And now we see freedom, and now we have won,
And now I am floating and lost in the crowd,
And now I am fading and watching them fall –
and fall –
and fall away at last;
rose petals,
settling,
on the
snow.

Silence and applause.
Inseparable humanity and youth.
Her face is ecstasy.

©2011 Matthew Rhodes

This was a full orchestral concert where the youngest violinist stood out through her immersion in the experience. I want to remember her expression at the end for a very long time.

Originally submitted to writers’ island. Also to Jingle Poetry Potluck April 24 2011.

Nature and I lie quietly in your lens;
sunlight playing with our captive limbs.
New forms emerge which might make sense
of accidental histories, chance whims.

Nature moves on, wind and snow ensure
momentary beauty cannot last,
but seeks new frames, now richer for
your passing and reaction to the past.

But who outside your cosy frame am I?
The force within compels – go on
and make new shapes, don’t ask me why
the metaphor is good. We must be gone.

————————————————-

Submitted to Jingle Poetry Potluck May 2011. Sketches and impressions, like those caught by photographs…

© 2011 Matthew Rhodes

Seeing you there, alone,
pebbles scattering
on the beach. They don’t care;
flying discretely
through the air.

Your hair shatters
in wilder shards;
chasing the wind – who knows where?

But life is yours;
insisting on wholeness,
against the maelstrom, and despair;
you hold the scene.

© 2011 Matthew Rhodes

The slow scrumpling of the rain:
I see lights, like statues in the dark,
still against the restless night.

Slowly they come;
rolling softly down the road,
dousing lamps as they pause.
Forming lines;
waiting.

Waiting.
A train passes.
The rain rains.
Strange rows, in silence.
Waiting.

And then the bus,
alone and purposed,
arriving with a sigh;
long, low hiss of success,
and call to arms.

Boys emerge, and men;
tired of travel,
lost and cold.

And welcomed in
to guardian angel arms,
doors open and close;
lights and engines rise, now,
and disperse.

© 2011 Matthew Rhodes

An unexpected response to this week’s prompt (43) from wewritepoems that came to me while waiting to collect my son returning from the airport after a trip with the school choir to sing in Rome.